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A woodworker asks a helpless image for help

In this Catholic additional book passage, the writer argues that an image made by human hands cannot be a fitting object of prayer. A woodworking example exposes the gap between what the object is and what people ask from it.

Wisdom of Solomon 13:10–19Older students and adultsWisdom and dialogueCatholic additional books
A lamp and scroll beside a path, companion artwork for wisdom and teaching

Understanding the passage

Listening in context

Wisdom of Solomon 13:10–19 is written as a wisdom-style argument. It begins by naming handmade objects as “dead things”, then follows a woodworker’s actions step by step: useful wood is prepared, scraps are burned, a discarded piece is carved, fixed in place, and then addressed in prayer.

Wisdom of Solomon 13:10–19

Main takeaway

This passage teaches that it is empty to seek help from an image that is itself lifeless and helpless.

Look closely at the words

Open a card to explore the full explanation and its Bible references.

01Dead things called godsThe opening sentence gives the main claim. People are called miserable because their hopes rest in “dead things”.

Explanation

The opening sentence gives the main claim. People are called miserable because their hopes rest in “dead things”. The supposed gods are identified as objects made by human hands: gold, silver, animal likenesses, or stone. The writer stresses that these are crafted things, not living beings worthy of trust.

02A scrap shaped by “the diligence of his idleness”The example starts with ordinary work. A woodcutter cuts a tree, strips it, makes a useful vessel, and burns leftover scraps for cooking.

Explanation

The example starts with ordinary work. A woodcutter cuts a tree, strips it, makes a useful vessel, and burns leftover scraps for cooking. Then he takes a discarded, knotted piece and carves it “with the diligence of his idleness”, shaping it like a man or a worthless animal and painting it red.

03An image that cannot help itselfAfter making the image, the worker gives it a place in a wall and secures it with iron. The writer highlights the contradiction plainly: the maker does this because he knows it might fall and is “unable to help itself”.

Explanation

After making the image, the worker gives it a place in a wall and secures it with iron. The writer highlights the contradiction plainly: the maker does this because he knows it might fall and is “unable to help itself”. The object being honoured is itself dependent on human support.

04Asked for what it cannot giveThe final verses list prayers about goods, marriage, children, health, life, aid, a good journey, and business success.

Explanation

The final verses list prayers about goods, marriage, children, health, life, aid, a good journey, and business success. Yet the image has no life, is weak, dead, inexperienced, unable to move, and has hands with no ability. The force of the passage lies in that repeated mismatch.

Questions to explore

Pause, look back at the verses and talk together.

01Which descriptions show why the writer rejects these images as objects of hope?

Collect the passage’s own words such as “dead things”, “unable to help itself”, “has no life”, and “is weak”.

02Why does the writer spend time describing both useful wood and discarded wood?

Notice the contrast between wood serving ordinary needs and a scrap later turned into an image for prayer.

03How do verses 17–19 sharpen the argument?

Match each request with the image’s limits, especially asking for a good journey from something that cannot move a step.

Read the Bible passage

World English Bible Classic

Scripture quotation · Public domain

Wisdom of Solomon 13:10–19

10But they were miserable, and their hopes were in dead things, who called them gods which are works of men’s hands, gold and silver, skillfully made, and likenesses of animals, or a useless stone, the work of an ancient hand.

11Yes and some woodcutter might saw down a tree that is easily moved, skillfully strip away all its bark, and fashion it in attractive form, make a useful vessel to serve his life’s needs.

12Burning the scraps from his handiwork to cook his food, he eats his fill.

13Taking a discarded scrap which served no purpose, a crooked piece of wood and full of knots, he carves it with the diligence of his idleness, and shapes it by the skill of his idleness. He shapes it in the image of a man,

14or makes it like some worthless animal, smearing it with something red, painting it red, and smearing over every stain in it.

15Having made a worthy chamber for it, he sets it in a wall, securing it with iron.

16He plans for it that it may not fall down, knowing that it is unable to help itself (for truly it is an image, and needs help).

17When he makes his prayer concerning goods and his marriage and children, he is not ashamed to speak to that which has no life.

18Yes, for health, he calls upon that which is weak. For life, he implores that which is dead. For aid, he supplicates that which has no experience. For a good journey, he asks that which can’t so much as move a step.

19And for profit in business and good success of his hands, he asks ability from that which has hands with no ability.

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